"David Edwards, as Anna's love interest Count Danilo, is an attractive foil for Miss Russell. His suave good looks and world-weary manner are what one would expect.  But his acting has bite to it that gives the character nice sharp edges and keeps it from being too 'musical comedy.'  With an impressive voice and endless charm, his Danilo is just right."

"David Edwards, a handsome and vocally-adept leading man, ingenuously reveals John P. Wintergreen to be exactly the manipulatable two-dimensional manekin which today's politicians pay PR firms zillions to disguise."
-- Louis Roney, Observer

"David Edwards as Roger milks the role for all the political incorrectness that makes "The Producers" so refreshing..."
--Steve Parks, Newsday

"David Edwards is spot-on as the very British Froggy..."
Dante J. J. Bevilacqua, MontgomeryNews.com

”For his leads, Miller has done very well, casting the accomplished actor David Edwards as Cocky and the inimitable living treasure George S. Irving as Sir. Edwards has the unenviable task of trying to keep us from noticing that every inch of his role was tailored to the outsized personality of Anthony Newley. By the time he sings his heartfelt ‘Who Can I Turn To?’ at the Act One finale he has succeeded in doing so, and when he leaps into the exhilarating ‘Nothing Can Stop Me Now!’ in Act Two he has made the character his own….TWO EXCEPTIONAL STAR PERFORMANCES.”
-- Martin Denton, NYTheatre.com

"...the strong vocal performance of David Edwards is an impeccable asset.  He renders difficult, dramatic solos with sensitivity and feeling, and finds every laugh in the comedy numbers."
-- Bob Harrington, The New York Post

"He's a talented and dependable actor and he seems particularly well-suited to playing avuncular Southern gentlemen."
-- Tom Wrona, Wrona's World.com

"David Edwards creates a hilarious caricature of war-loving Teddy Roosevelt..."
-- Cynthia Gordon, The Express-Times

"Talk about a versatile actor!"
-- Rick Mellerup, The SandPaper

“Superb...stellar...David Edwards is brilliant as Christopher ‘Kit’ Gill, the emotionally unstable, failed actor son harboring resentment against his late actress mother.  Edwards can even sing cocky. He struts, punches the air and sings with a glee bordering on giddiness."
-- Jean Reed, Pelican Press

"David Edwards has a voice that'd charm the bees away fromany and all honey."
-- Tom Hougland, Entertainment News and Views

"...performing with a kind of restraint powered by high test fuel..."
--David Primavera, The Examiner

"His comedic flair combined with his beautiful singing voice and blond good looks have made him immensely popular..."
-- The Frostburg Journal

"David Edwards' assured portrayal allows you to see him (Dickinson) not as a villain or opportunist, but as a man with convictions, wittily expressed in the song 'Cool Conservative Men.' His defeat has more poignancy because he has been so sure he would win."
-- Marianne Evett, The Plain Dealer

"In the starring role, David Edwards is wonderful as a slightly naive but smitten insurance accountant whose image is only 'half as big as life.'"
-- Nanci Bross, The Allegheny Journal

"All three suitors are played with flair and excellent comic timing by David Edwards, who is blessed with the type of Broadway leading man good looks and voice that aren't all that common these days."
-- Gene Grey, Press & Sun Bulletin

"David Edwards plays the despicable nephew to a tee and sings the show's most difficult song not only with ease, but also while crawling all over the set, seemingly in peril of his life."
-- Doug deLisle, The Times Record

"David Edwards' timing and phrasing are flawless, and his moving rendition of "Schoolyard in Brooklyn' is one of the highlights of the revue."
-- George Capewell, Miami Herald

"Virtuoso...Edwards gets surprising mileage from the nebbishy character of Herb Gladney...his senator and cameraman are humorously broad...and Edwards is impressive giving such flavor to the essentially vanilla bellhop Bill...the pairing of Johanna and Edwards strikes sparks..." .....James MacKillop, Syracuse New Times

"Edwards chews up the scenery with marvelous aplomb as the hero. His character never uses one word where two will do and has the heightened tremor in his voice to convey his love for the heroine as well as condemnation of himself for his failure. It is a wonderfully controlled and effective performance."
-- Martin P. Kelly, Times Union